Check out this image below, where I removed the lens hood to get a little crazy. To live up to the G-Master name, a lens must deliver exceptional image quality, have robust build quality, and perform quickly in the autofocus department. Sony G-Series 70-200mm F/2.8 GM OSS FE Universal Camera Lens. Just take a look at the above image, for example. Here it is at 100% crop. This large aperture telephoto zoom lens, incorporating Sigma's original Optical Stabilizer function, covers focal lengths from 70mm to 200mm and offers a constant aperture of F2.8 over the entire zoom range. If you are shooting sports or wildlife, the extreme corners are simply not important parts of the frame. More info In the below portrait, you can really see the “bokeh swirl,” as if there is an inter-dimensional gateway about to swallow my children! As a super zoom, the Tamron 28-200mm is a game changer, it's quite sharp throughout the entire focus range. Innovative G Master F2.8 super telephoto Sony's most advanced lens technologies have been unsparingly applied in this large-aperture super telephoto lens, achieving extraordinary speed, outstanding G Master resolution and bokeh, plus professional control and reliability. The bokeh almost creates a swirly pattern. Unfortunately, I did not get to test the autofocus in challenging sports situations. Oh bokeh, that thing many photographers love, and sometimes love too much! Things are very nearly tack sharp in the extreme corners even at F2.8. The Sony 70-200mm f/2.8 GM is a fantastic telephoto lens in the G-Master lineup. Any lingering softness is fully resolved by F4. I hold the lens by the tripod collar foot to balance it on the smaller body. Weight: 52.21oz / 3.26 lb / 1480 g (without tripod mount). Vignetting is an issue with many Sony lenses but is simply not a significant problem in the Sony 70-200mm F/2.8 GM at 70mm. Do … For more casual shooters on the fence about whether they want/need a 70-200mm F/2.8, it might be advisable to put it on hold and see what Sigma and Tamron come out with over the next year or two. The 70-200mm F2.8 is a staple piece of kit for a lot of professional and advanced shooters. For a fast aperture zoom lens, this result isn’t bad at all. Sony a7III + Sony 70-200 f/2.8 GM @200mm without lens hood | 1/800 f/2.8 ISO 100. 2,313 posts Gallery: 621 photos Best ofs: 1 Likes: 4140 Joined Dec 2008 Location: Kansas City. This is a guest review of the Sony 70-200mm f/2.8 GM by wedding photographer Chad Winstead. Let’s look at the quality of that blur. For most types of F2.8 shooting, this is simply not an issue. This is a guest review of the Sony 70-200mm f/2.8 GM by wedding photographer Chad Winstead. The Sony 70-200mm f/2./8 GM does have built-in image stabilization to go alongside the in-body stabilization of the newer Sony mirrorless cameras. We test from two distances. I then borrowed a copy, intending to test it for review. LIKES 1 LOG IN TO REPLY. Buy Sony FE 70-200mm f/2.8 GM OSS Lens featuring E-Mount Lens/Full-Frame Format, Aperture Range: f/2.8 to f/22, One XA Element & Two Aspherical Elements, Four ED Elements & Two Super ED Elements, Nano AR Coating, Dual Linear & Super Sonic Wave AF Motors, Optical SteadyShot Image Stabilization, Focus Hold Buttons; Focus Range Limiter, Dust and Moisture-Resistant Construction, … This new lens would add significant flexibility for users of Sony Alpha cameras, covering the main portrait focal lengths and short telephoto range, combined with … By their very nature, 70-200mm F/2.8 lenses are very heavy and very expensive. Post edited over 1 year ago by smaeda. Read our detailed comparison of the Sony FE 70-200mm F4 G OSS vs Tamron 70-180mm F2.8 Di III VXD to find out their strengths and weaknesses, and decide which one to choose. This means that you can make manual adjustments once the AF has finished, without changing to manual mode. Let’s take a look at some of the beautiful rendering and blur that the Sony 70-200mm can produce so you can see for yourself! If rating on image quality alone, the Sony 70-200mm F/2.8 is remarkable. These are not “ugly” corners you would find with some lenses — in fact, even at F2.8, I would call the corners fairly sharp. But bokeh is one of the reasons you invest in a telephoto 2.8 lens. In addition to an ideal zoom range for nature, sports, and other photography that requires a bit more “reach” that a mid-range zoom provides, this lens offers outstanding corner-to-corner sharpness from 70 mm to 200 mm in a compact, lightweight unit that is a perfect match for compact full-frame E-mount bodies like the α7 series. We definitely see some mild vignetting at 2.8 but it really isn’t severe and won’t impact most types of 2.8 shooting. Metabones Micro Four Thirds to Canon EF Smart Adapter --- $25.00. And 135mm centers from closer focus distance: The Sony 70-200mm F2.8 GM appears sharpest in the middle of the zoom range. All in all, it would appear to be up to the standards in build quality of the best Sony lenses. Very sharp image wide open, even on 200mm, improved a lot comparing to G1, as i played few years ago (on a900). Summary The Tamron 28-200mm f2.8-5.6 Di III is a small and light all-in-one zoom designed for mirrorless cameras with full-frame sensors. We complete our review of the Sony FE “holy trinity” of lenses with the Sony 70-200mm F/2.8 GM. Chad Winstead Photography is made up of Chad & Beth – Voted #1 Wedding Photogs by Chad’s mom. You can see by the paint wear on these pieces that my lens has been a workhorse for well over a full year of weddings. Tamron SP A001 70-200mm f/2.8 LD Di Lens For Nikon. Who makes the best 70-200mm F2.8 zoom lens for full-frame? The f/4 version has a minimum focus distance of 1-1.5m when focusing with the AF system and 1-1.35m when focusing manually. However, when I have needed to drop the shutter speed, such as the image above, I’ve been impressed! 200mm vignette corrected and uncorrected: Flare – Chromatic Aberration/Purple Fringing. • f/13 • ISO 100 IMAGE LINK: https://flic.kr/p/2iRB Zkv SMD08080_2 by shintarodesign , on Flickr Looking at a reliable expert, I would point my readers to the Lensrentals blog teadown article. Sony a7rIII + Sony 70-200 f/2.8 GM @185mm | 1/1000 f/2.8 ISO 320. Distortion is correctable but the correction of distortion affects the sharpness as the image is stretched or compressed. The autofocus motor is also quiet when shooting. Finally, the Sony 70-200mm F/2.8 GM is equipped with optical steady shot which works in conjunction with the in-camera IBIS system of most Sony cameras. It’s built like a tank. Sony a7III + Sony 70-200 f/2.8 GM @70mm | 1/125 f/3.2 ISO 1000. The full specifics remain to be seen, but released images suggest that the Canon R 70-200mm F/2.8 will utilize a much more compact design. I didn’t think that was possible! The Tamron SP AF70-200mm R/2.8 Di LD [IF] Macro for Sony AF Mount is the newest in Tamron's long line of high quality lenses. Color fringing is most often a problem at wide aperture while flare tends to worsen at smaller apertures. You’ll note along the silver and white, just a very slight purple outlining. The 28-200mm F2.8-5.6 for Sony E-mount covers a broad range of focal lengths in a single lens, starting from 28mm at the wide-angle end to 200mm at the telephoto end. When using the Sony 70-200mm for ceremonies and fast-moving action, I never have to worry about missing a moment. But I’d be sure to have a good warranty in place, just in case. Additionally, if you switched to mirrorless in the hopes of saving weight, the Sony 70-200mm F/2.8 won’t be doing your back any favors. These situations can cause color fringing and flare, the result of sensor and glass reflections. Sony A7iii, Irix 15mm f2.4, Tamron 28-75mm f2.8, 85mm f1.4, Sony GM 70-200mm f2.8, Tamron 70-180mm f2.8. I had noticed some reviews that were less than spectacular but I try to be my own judge (and try not to read any reviews around the time I’m conducting my review). More info The Sony 70-200mm F/2.8 GM is no exception to the generalization of hefty weight and price. • You can attach/detach the front lens cap in two ways, (1) and (2). I believe this is an outstanding lens and is on par, or better, than the Nikon and Canon counterparts. As noted above, the Sony 70-200mm F/2.8 GM is a hefty lens at almost 1.5kg. I feel these mechanics may have been refined a bit better in more recent lenses. In real world shooting, the vignette is unlikely to detract from most images but you will want to correct landscapes. Sharpness is overrated. But focus seemed fast, smooth and silent on the Sony A7riii and Sony A9. Overall, if you are buying the Sony 70-200mm, you know it will be large and heavy, but the performance more than makes up for the weight. It is the best 70-200mm f2.8 lens for a Sony DSLR camera, no question. Rotating tripod collar. Discover the FE 70-200mm F2.8 GM OSS from Sony & explore all the α Lenses features. As of August 2019, I’ve nearly completed my review of every mainstream Sony FE lens in current production. As you can see, it’s very sharp wide open and close to the edge! I’m personally fond of the effect, but it’s a lot tamer when using the lens hood! The f/2.8 optic can focus as close as 0.96m regardless of the focal length and focusing method. At the time of writing, it was only available in Sony E-mount, and costs more in some regions than Sony’s own FE 24-240mm super-zoom, while lacking its broader zoom range and optical stabilization. As shown above, at 70mm you get slightly barrel distortion. Overall I tend to not mind either shape. LIKES 3 LOG IN TO REPLY. There’s some light vignetting when shot wide open, which is to be expected. The build quality of the Sony 70-200mm f/2.8 is outstanding. Discover the FE 70-200 mm F2.8 GM OSS from Sony & explore all the α Lenses features. Let’s see how it compares to the equivalent lenses in other systems: Canon and Nikon will soon be introducing equivalent lenses for their mirrorless systems. At F4, it’s rather mild and almost gone by F5.6…. About Sony Top. Sony 70-200mm F2.8 environmental portrait, Sony 70-200mm F2.8 with tripod collar and switches, OSS and AF/MF switches on Sony 70-200mm F2.8, 70mm f2.8 distortion – slight barrel corrected, 200mm f2.8 pin cushion distortion – corrected, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on LinkedIn (Opens in new window), Canon R 70-200mm F/2.8 will utilize a much more compact design, Programming instant reaction button on the Sony A7riii, A7iii and A9, Recommended Sony A6400 lenses and accessories, Sony FE 12-24mm F/4 G at Universal Studios, Sony FE 24mm F1.4 GM at Universal Studios, Rokinon Samyang 85mm F 1.4 Review for Sony. Metabones Sony E to Canon EF SpeedBooster --- $30.00. Goldmember. I was surprised to find unpredictable flare patterns even wide open at F2.8. At 2.8, it’s quite noticeable but still not totally detrimental. But for most typical uses, most lenses are “sharp enough.” Still, many of us like to examine sharpness in close detail. 2,304 posts Gallery: 621 photos Best ofs: 1 Likes: 4084 Joined Dec 2008 Location: Kansas City. Sony FE 70-200mm F2.8 GM OSS With full-time manual focus, you can move the focus ring whilst it is in AF (autofocus) mode. Sony a9 + Sony 70-200mm f/2.8 GM @200mm | 1/500 f/3.2 ISO 160. Introduction This image has the default sharpening from Lightroom applied, and the image has been lightly edited for some color and contrast. One might argue that the paint could be a bit thicker, or more durable, even though it has seen a lot of use. It’s also one of the heaviest lenses made for these small, lightweight bodies. I own nothing buy f/2.8 and f/4 zooms and f/1.8 and f/1.4 primes and I think this new Tamron lens is amazing. 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